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      <image:caption>Ekeko, from Warawar Wawa (Son of the Stars) series, River Claure, 2022 ..The act of creating a sacred assemblage - even one combining plastics and other toxic substances - points to the possibility of reclaiming an alternative future for synthetic ecologies, and with it the potential for detoxification..</image:caption>
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      <image:caption>Visit (3), Kinke Kooi, 2019, 80,5 x 66,5 cm acrylic, (color)pencil, gouache on paper ..art enables us to integrate, on a deep level, what it is to live within hybridity (and destruction), and ask questions about the kind of world/s we want to live in..</image:caption>
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      <image:caption>Healer (Waters), Pamela Rosenkranz, 2019. Robot, circuit board control units, battery, LED light, 3D printed head and tail, kirigami skin 120 × 6 cm 47 1/4 × 2 3/8 inches © Pamela Rosenkranz Courtesy the artist and Sprüth Magers ..Thinness exists within the unsettling "strangeness" of hybrid assemblages, and with it is the opportunity to connect with the sacred..</image:caption>
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      <image:caption>Jesse Darling, Lion in wait for Saint Jerome and his medical kit, 2018 Paint pen on packing paper, gold leaf, band-aids, parcel tape, frame 115 × 180 cm (45 1⁄4 × 70 7⁄8 inches) Courtesy: The Artist and Arcadia Missa, London. Photography: Tim Bowditch.</image:caption>
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      <image:caption>Agnieszka Kurant, Animal Internet, 2018 Animatronic mechanisms, custom programming, artificial fur, plants, rocks, sand, webcam lifestream; presented as a video loop Commissioned by MIT CAST Scientific and technological collaboration: Adam Haar Horowitz, Owen Trueblood, Ishaan Grover, Agnes Cameron, and Gary Zhexi Zhang</image:caption>
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      <image:caption>Caption: Kinnari Saraiya, Seven Acts of Nature's Devastating Dance, still from AI simulation, artwork in development Artist Kinnari Saraiya on reimagining nature deities for a new artwork in development Seven Acts of Nature's Devastating Dance. 'Placing the Mother of Nature Worlds upon a golden throne of turmeric sands, studded with precious gems of rain drops, she dances on the heights of Kailasa. All the gods gather round her as the world trembles at the sounds of her ghungroo bells'</image:caption>
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      <image:caption>Ane Graff, Patches of Standing Water Year: 2021 Dimensions: 220 (h) cm x 195 (w) cm x 120 (d) cm Glass structure in green glass Vein structures in steel with gallium, ultramarine pigment, acrylic paint and sand</image:caption>
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      <image:caption>Sahej Rahal, Mythmachine (excerpt from simulation), BALTIC Centre for Contemporary Art, Gateshead curated by Kinnari Saraiya and Niomi Fairweather, AI program voiced by Niyati Upadhya. Photo: Rob Harris © 2022 BALTIC</image:caption>
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